- 1. Hi-hat Mic - AKG C1000
- 2. Snare mic Top - Shure SM58
- 3. Snare Mic Bottom - Shure SM57
- 4. Kick Drum Mic - AKG D112
- 5. Rack Tom Mic - Shure SM58
- 6. Floor Tom Mic - Shure SM 58
- 7. Overhead Right - Neumann U87
- 8. Overhead Left - Neumann U87
- 9. Guitar 1 Mic 1 - Shure SM57
- 10. Guitar 1 Mic 2 - AKG 414
- 11. Guitar 2 Mic 1 - Shure SM 57
- 12. Guitar 2 Mic 2 - AKG 414
- 13. Bass D.I. - XLR to wall box
- 14. Bass Mic - AKG D112
I have also considered that this means I require an extra 2 input on top of what is available in the studio, so have decided to record the bass tracks on an independent recording device, such as a laptop with recording software and external sound card.
This microphone arrangement and microphone selections I have made are based on practice based research (i.e. previous recording sessions I have been involved in), conversations with my peer (Daryl Robertson) and this e-book.
N.B. - These microphone choices are all best case scenario and ACTUAL mic choice may be dependant on availability as I do not have the money to buy or rent equipment.
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